New York Classical Review22 小时
Terfel returns to Met, ignites with Radvanovsky in “Tosca”
As they did in 2021, Sondra Radvanovsky and Brian Jagde reunited as Floria Tosca and her painter-lover Mario Cavaradossi.
New York Classical Review1 天
A romantic program finds its footing with Bell, Philharmonic
Those listeners heard him play Dvořák’s Violin Concerto, but missed Tchaikovsky’s Symphony No. 4 on the second half. Opening ...
New York Classical Review3 天
Tenor Pati makes an ardent Met debut in “Rigoletto”
Verdi’s Rigoletto returned to the Metropolitan Opera on Monday with a fresh cast under the baton of Daniele Callegari. The ...
New York Classical Review9 天
Kutasi’s Amneris provides the highlights in Met’s uneven, archaeological “Aida”
For 36 years, Sonja Frisell’s mounting of Aida at the Metropolitan Opera, with its monumental Pharaonic sets by Gianni ...
New York Classical Review7 天
Edusei roams widely and brilliantly in Philharmonic debut
In an impressive Philharmonic debut, the German conductor Kevin John Edusei presented a brilliant calling card in Samy Moussa ...
New York Classical Review1 个月
Gerstein’s virtuosity serves the greater musical good with Liszt, Ravel and Coll
Kirill Gerstein performed Friday night at Carnegie Hall. Photo: Marco Borggreve Virtuosity, in its essence, is subtle and humble. The ability to play an instrument with velocity and precise ...