The papers of art historian Whitney Chadwick (b. 1943), donated by Robert Firehock with the assistance of Sharon Spain, ...

Summary: Business records of stained glass companies owned by the Freis; diaries of Emil, Jr.; correspondence; sketchbooks; scrapbooks; photographs of the Freis, their family and friends, and of their ...

Between June 1861 and November 1862, Henry Mosler worked as a correspondent for Harper's Weekly. This image gallery contains his published illustrations from this period.

Our website features a robust collections search that allows users to explore all of our holdings. There you can narrow your results by record type, names, topics, and more. To search the full website ...

The papers of Downtown Gallery (New York, N.Y.) in the Archives of American Art were digitized in 2008 from 167 reels of microfilm. The bulk of the collection has been digitized. [Researchers should ...

Summary: Biographical material, letters, writings, photographs, financial material, works of art and printed material relating to the work of Harrison Cady as an illustrator and painter. Biographical ...

Select: Lundeberg Family, circa 1890s Scope and Contents note Helen Lundeberg's grandmother; oversized material scanned with Box 13, F26 ...

The Archives of American Art offers internships year-round to students enrolled in undergraduate or graduate programs who wish to learn and gain professional experience in various fields including ...

Physical Details: Inventory : 58 p. : typescript ; 32 x 21 cm. Description: Inventory of artworks from Göring's looted collection including paintings, sculptures ...

Summary: The records of Women Artists in Revolution measure 0.2 linear feet and date from 1971 to 1977. Found are materials relating to the first and second editions of A Documentary Herstory for ...

Refer to the Chicago Manual of Style, and the Merriam-Webster Collegiate Dictionary, though we do not adhere strictly to these resources in all instances. Not necessary to transcribe each instance.

Summary: Two letters, 1943, to Edward Alden Jewell, art editor of the New York Times, written in response to a published editorial in which Rothko attempts to explain modern art; handwritten notes and ...